This was a Republic film made in wide screen / their wide screen process called Naturama.

However this heading is leading me into a different subject and I will explain. The whole of March 2023 I have been on holiday in the Adelaide Hills in South Australia and during this time we ventured up into the Barossa Valley – a famous wine growing area – and went to the town of Kapunda.

One of the attractions of many, was the Museum which had been used a few years ago as a cinema – and the remains are there clear to see and on the bill board was still a poster for ‘The Maverick Queen‘.

I always get mixed up with TWO films both starring Barbara Stanwyck – ‘The Maverick Queen’ and ‘Cattle Queen of Montana’ – the reason us that they were made within a couple of years of each other,

When Barbara Stanwyck’s era of Hollywood stardom came to an end in the early fifties, she then became the star of a number of TV Western series, which cast her as a tough leader of an outlaw gang.

The Maverick Queen has a bigger budget (and was shot in colour) but and wide screen

Again an Australian film – this time starring Chips Rafferty

King of the Coral Sea deserves a ten score because the love and passion by all concerned in the making of this little gem shows through on the screen.

Thew film was made on a budget of around 25,000 Pounds Sterling which is a meagre budget by any standards even in those days.

Chips Rafferty produced this film, and put nearly all of his own money into it – it came good though and recouped it’s costs within 3 months and went on to make a sizeable profit.

Much of the filming was done at Green Island – just off Cairns in Queensland, Australia

King of The Coral Sea may not have the flashy Hollywood production values of a huge budget, but it does have a charm that has only increased as the years have gone by.

This film was also the screen debut of old Rod Taylor, ironically playing an American, an accent he had done often for Radio Dramas. He very soon after this had a part in ‘Long John Silver’ and from that film he was noticed by Hollywood Producers and so – off he went.

Charles Tingwell was also offered a Hollywood contract but he turned it down in favour of going to England where he forged a successful career, returning to Australia for good in the 1970’s.

K

Kangaroo (1952)

Kangaroo  was the first big-budget US production in Australia, but was not a great success.

An Australian Style Western film by Twentieth Century-Fox brought American stars Maureen O’Hara and Peter Lawford along with other well-known actors from the US and Britain to play Aussie characters in the bush again.

The film had an American director and writer, but predictably included Chips Rafferty as the local policeman, a young Charles ‘Bud’ Tingwell as a poverty-stricken stockman, Aboriginal actor Henry Murdoch in another of his many appearances as a stockman. The story was a complex one of two city conmen out to swindle Maureen O’Hara’s dad out of his cattle station. The film ticks the boxes for Australian wildlife and exotic people, but was not liked by critics for its clumsy script. It failed at the box office in both countries.

Filmink magazine said that “This film isn’t as bad as its reputation (Richard Boone is excellent as Lawford’s friend and there’s some great visuals), it’s just frustrating because it should have been better – it’s flabby and goes all over the place, Lawford is a wet fish of a leading man, and it needs more action… It would have been more entertaining if it had embraced being a Western more.

Maureen O’Hara claimed that Richard Boone and Peter Lawford were “rude and disrespectful to many Australians and to the press as a whole and the Australians came to dislike them both with a passion.” 

Maureen O’Hara wrote that 20th Century Fox told her to make a personal plea to the press not to report the arrests of Richard Boone and Peter Lawford in a gay brothel with underage boys. 

It was the first Technicolor movie filmed on-location in Australia. 

Tyrone Power was originally intended for the lead role of John W. Gamble which in the end was cast with another American actor, Richard Boone. Other names had been talked about – Richard Widmark and Errol Flynn and Jean Simmons in the Maureen O Hara role

Hollywood star Maureen O’Hara had to contend with swarms of flies and being “clawed something awful by a cuddly koala” during the shooting of the film Kangaroo around Port Augusta.

South Australian premier Tom Playford gave a housing estate at Port Augusta to be used by the cast and crew of 1952 American 20^th Century Fox film Kangaroo. Dubbed “Zanuckville” (after producer Darryl Zanuck), the estate housed up to 150 people to shoot the first Technicolor film in Australia, directed by Lewis Milestone.

Playford also turned on a gala reception for the film’s star Maureen O’Hara (with Peter Lawford, Finlay Currie, Richard Boone, Chips Rafferty and Charles “Bud” Tingwell) when she arrived in Adelaide from Sydney in late 1950.

The film was made using Fox funds “frozen” by the Australian government under postwar restrictions. Although Kangaroo wasn’t a critical or box office success, about £446,000 was spent in South Australia on the production.

Milestone moved the setting to Port Augusta because the original New South Wales locations looked no different from Southern Arizona and California. Milestone also extended his 61-day shoot to seven months.

Problems piled on from there. Temperatures were very high in Port Augusta but rain kept occurring. The script was constantly rewritten (action changed from the 1800s to 1900) and the isolated “Zanuckville” had trouble sourcing materials, with equipment and costumes needed from Hollywood. Scenes were shot at Wolundunga Station, at the foot of Mount Brown, at pubs and places in and around Port Augusta and on a coastal ship at Moonta.

Rain wrecked Lewis Milestone’s wish to suggest drought for his key scene of an attack by water-starved kangaroos. Among other mishaps, a sound technician was paralysed after being bitten by a spider and Lawford lost 12 pounds during the shoot and his hair started to fall out. An Aboriginal group from Ooldea (also used in the Bitter Springs film) staged a special dance at Spear Creek near Port Augusta. When drought arrived, cast and crew attended a “native rain dance” and the next morning it rained, enabling the film downpour climax.

In her 2004 autobiography, O’Hara claimed Boone and Peter Lawford were “rude and disrespectful… and the Australians came to dislike them both with a passion”. She said they were arrested in a “brothel full of beautiful boys” in Melbourne but she said the studio prevented this being reported by having O’Hara make a plea to the press.

O’Hara recalled “Australians were so excited to have us there and were one of the most gracious people I have ever encountered on location” but she “cried many nights” during the shoot. “Lawford and Boone were horrible to me even though I had saved both their hides … I still had to fight off a swarm of flies for every mouthful of food. I was even clawed something awful by a cuddly little koala bear during a scheduled photo shoot.”

ABOVE – The main three actors Richard Boone, Maureen O Hara and Peter Lawford

A Newspaper Advertisement of the time ABOVE

It strikes me that a few tears before this another film ;Diamond City’ was made and this one was another ‘Western Style film but this time, set in South Arica. This film too was a flop at the Box Office

Then shortly after this came ‘Long John Silver’ with Robert Newton filmed in Cinemascope but this was made just North of Sydney – this one was quite successful

A Western Directed by George Sherman

In the last days of the Civil War, Confederate officer Joel McCrea and associates rob a Union storehouse of $2,000,000. They head down to a small patch of Mexican territory controlled by renegade general Pedro Armendariz and start negotiating to turn the money into arms for the Confederacy.

This seems to have been film shot in three-strip Technicolor – and thats about as any colour film gets.

Director George Sherman, an expert in Westerns, directs the script well as you would expect

Another solid performance by Joel Mccrea. Yvonne de Carlo also adds strength to this feature.

The film portrays a turbulent time in American history

This doesn’t appear to be a well-remembered film from the era but lets hope that a forthcoming release of this on BluRay will help it become better known

ABOVE – maybe a welcome break from filming – and a chance to cool down in a fairly unorthodox way – but very effective I would think