After it’s initial very successful release way back in 1952 – then known by it’s full title ‘The Story of Robin Hood and His Merrie Men’ – this film seemed to just be forgotten. It was re-released in the mid Seventies under it’a later title as a Double Feature with Scandalous John another Disney film but I seemed to have missed that release and until recently didn’t know about it.

So we then awaited a Video release which came about in 1986 – I remember buying it and seeing it again after all those years – I had never forgotten it. Wonderful !!

Now ‘Talking Pictures’ have taken on the film and it has been shown quite a few times. In fact it was shown on Sunday 25 May and I watched it again and this time concentrated more on Joan Rice’s acting having remembered the cruel comments about her from Ken Annakin and more so by Richard Todd. It is rare in my experience to hear such criticism of a fellow actor – even more cruel when I think that Joan Rice was only 20 years old when this film was made.

I published this a couple of years ago and since one of her best remembered films has just been shown it is probably more topical now.

Here it is again :-

THE BULLYING OF JOAN RICE

Yes – this is a hard hitting title I know but this is very much what I think when it comes to discussing the making of ‘The Story of Robin Hood and His Merrie Men’ at Denham Film Studios in the summer of 1951

It is well documented that Richard Todd and Ken Annakin did not respect Joan Rice as an actress and this is confirmed in a number of interviews Richard Todd gave – he said ‘She wasn’t an actress at all’ and impled that she was out of her depth.

Ken Annakin in his Autobiography states that she was poor and accident prone and much more.

He says that Joan Rice was ‘ a cross he had to bear’ and that she was ‘dumb and accident prone’ and he describes her ‘going off crying again’ following insults thrown at her by one of the crew.

He then says that Walt Disney visited the set and had his picture taken with a few of the actors and some with Joan Rice on the Archery set – and he declared that he had made the right choice in casting her as Maid Marian. Ken Annakin said that he and others , Richard Todd no doubt, did not agree with him and thought he could have done better

During the filming Joan had said amid tears that ‘if she wasn’t good enough then she would go back to being a waitress’ – however she had one very powerful ally in Walt Disney who chose her – in my view for her looks and how she fitted his own picture of Maid Marian. He was right – the public loved her in this role and still do

Ken Annakin says, again in his Autobiography, that he recalls one incident where one of the crew – an electrician – was walking past him and Joan Rice as Ken Annakin was going through her lines with her and the crew member in a loud whisper said ‘ She’s nothing but a big soft milk tart, Governor. Big boobs and and no drawers’. This again made Joan run off and cry until she was persuaded to come back.

This should never have been allowed and the crew member should have been reprimanded but the culture was such that this type of offensive behaviour to a very young girl was just let go,

What makes it even more galling for me is that Richard Todd had recommended James Robertson Justice for Little John – but here was someone who was not trained as an actor – and in fact was a fantasist and story teller on a grand scale – who seemed to get through each role by shouting his lines. He had a terrible Scots accent in Rob Roy although he claimed to be Scottish and born on the Isle of Skye which he wasn’t.

To add insult to injury Ken Annakin also in his Autobiography – says how well he got on with James Robertson Justice who, he said was ‘larger than life’ and always entertaining. In fairness to him, James would not have been pushed around and treated badly by Ken Annakin and Richard Todd – as Joan Rice was.

James Robertson Justice was a former public schoolboy as was Richard Todd, and as such had that confidence which Joan Rice with her poor upbringing did not.

It has also to be remembered that in the summer of 1951 when the film was made, Joan Rice was only 20 years old

Ken Annakin and Richard Todd I am sure looked down on her maybe because of this and treated her with disdain throughout the filming – maybe Ken Annakin, to be fair, was better to her than Richard Todd.

Richard Todd had nothing to do with her after the film was finished – he could have helped her but didn’t.

I sometimes think that if a different actress had been given the role – and I am pleased that they weren’t – she would have stood up to Mr Todd or maybe if Joan Rice had been a little older she would have.

Joan Rice was cruelly treated in the making of ‘The Story of Robin Hood and His Merrie Men’ by these two

Joan Rice went on to make ‘His Majesty O Keefe’ with Burt Lancaster out in Fiji and I hope that she was treated better there. It was another ‘big’ film.

Before she was cast in this film, Diana Dors had been approached for ‘His Majesty O Keefe’ but did not get the part – If Diana had worked with Ken Annakin and Richard Todd, she would have more than competed with them. She would have stood up to them

I did write this in an earlier post :-

Richard Todd said in a recent BBC radio interview that Joan Rice wasn’t really an actress although she was a very lovely girl. He also said that he didn’t know why Walt Disney and others had chosen her. In fact in Ken Annakin’s autobiography (and he directed the film) he states that Joan Rice was the choice of Walt Disney himself and Walt insisted she was in, having seen previous rushes of her films. He was absolutely right of course. She looked the part and acted pretty well – so much so that she got a major part in His Majesty O’Keefe opposite Burt Lancaster next.
Walt Disney knew what the public wanted instinctively. Joan Rice IS Maid Marian!!!

I wish Walt Disney had been around much more for the filming – he would not have allowed the bullying of this lovely young girl who was just making her way in the film world – and this one was about as big a film as you could get at the time.

AND THEN ANOTHER POST I DID ON THE SAME SUBJECT :-

Ken Annakin in his Autobiography and Richard Todd in some of his later interviews were particularly unkind in their remarks about Joan Rice after she had been the leading lady in ‘The Story of Robin Hood and His Merrie Men’ which as we all know Ken Annakin Directed and Richard Todd starred in.

They thought that she was a poor actress.

Walt Disney on the other hand was her admirer – he knew that she just looked the part and was determined that she would be IN. What he said went. He knew his audience so well – he knew that they would love her in the role – and we all did.

The film was a financial success worldwide

Next from Walt Disney came ‘The Sword and the Rose’ and then ‘Rob Roy The Highland Rogue’ – Ken Annakin directed the first one and Richard Todd starred in them both. They both had Glynis Johns in the lead who was well approved of by these two.

However neither film performed well at the Box Office – Rob Roy did OK in Britain but fared less well in the USA and other parts of the World.

So it seems that Ken Annakin and Richard Todd were pretty poor judges on actor’s abilities and their Box Office pulling power

Rob Roy was chosen for the Royal Film Premier that year – 1953. It was later reported that the Queen had not been particularly impressed by it – it is an opinion of mine that in the film the King was referred to by Rob Roy as ‘German Geordie’ – I have a feeling that the Queen would not have liked that

I remember going to see this film at our local cinema but I think that it was after 1959 – the year that it is shown as being released. As always I went with some excitement for a new Tarzan film but I have to say how disappointed I was.

It was made by MGM so you would expect it to have a decent budget and production values. This was not the case.

Certain dramatic sequences used the original 1932 Johnny Weismuller version footage and it was quite poorly tinted – certainly not colorised as we see today. It really did look so poor.

Denny Miller to be fair, was OK as Tarzan and he had Joanna Barnes as his ‘Jane’ – she was a good actress and had quite a long career.

The Film Trailer makes it look so thrilling – maybe I have mis-judged it and will have to view it again :-

Tarzan

Tarzan and his friends

Tarzan and Jane enjoy a swim – ABOVE

Tarzan – A PUBLICITY STILL

Tarzan IN ACTION above

The film was made at the same time as another Tarzan film, Tarzan’s Greatest Adventure – although that was filmed at Shepperton Studios in England and Kenya – both being produced by Sy Weintraub. MGM had kept the remake rights to the 1932 Tarzan the Ape Man, enabling them to make this film. The rights to the bulk of the Tarzan stories were owned by Sy Weintraub

I must view this film again

It is great to realise that Cinemas are still wanted and even better to see this underlined with the news that a brand new complex is being built in the town of Gainsborough, Lincolnshire – and in the Town Centre at that

The New Cinema will be called The Savoy

Coming Shortly

Soon we shall see the finished cinema – as below

ABOVE – An artist’s impression of what it will be like

Construction work on a new cinema in Gainsborough, Lincolnshire is well underway this summer.

Scheduled to open in June 2025, the four-screen cinema complex and attendant leisure and retail development are the anchor properties at the heart of the multi-million pound initiative by West Lindsey District Council to regenerate Gainsborough’s historic town centre.

Gainsborough is the third Lincolnshire location – the others are in Grantham & Boston – for Savoy Cinemas Ltd, a growing regional chain whose other locations include two in Nottinghamshire, one in Northamptonshire and another in South Yorkshire.

James Collington, Managing Director, Savoy Cinemas Ltd, added, “We’re glad to be adding Gainsborough as the newest location to our growing portfolio of cinemas across this part of the country.  The fact that our new complex gives new life to a derelict site and is at the heart of the revival of the town centre gives the project extra significance for all involved.”

Moving back in time 71 years t9 1954 Gainsborough had the Gaumont Cinema – and some very well known actors visited :-

None other than Joan Rice accompanied by Donald Sinden who had starred together in ‘A Day to Remember’ visited the lovely town of Gainsborough in Lincolnshire – a town situated on the banks of the River Trent.

The cinema had been re-named the Gaumont in 1949 and was modernised in early-1954, Reopening on 29 March 1954 with Edward G. Robinson in “The Glass Webb” showing.and with film stars Joan Rice and Donald Sindon making personal appearances.

I haven’t been able to locate any pictures of the visit which is a shame – but above we the Two stars together.

However there have been references to this visit on Facebook by people who remember it and were there as young children. At that time Joan Rice was quite a big name after The Story of Robin Hood and His Merrie Men  and His Majesty O’Keefe.

Donald Sinden though had yet to make his mark in film terms but of course he had a much longer and more varied career than Joan Rice.

I understand that there was quite large crowd out to see them in the Town. One woman from Gainsborough seems to remember a Norman Wisdom film being the first one shown after the Cinema re-vamp – and she could well be right because it would be at the time when one of his films was on release – and in fact Joan Rice had been the female lead in that – the film was One Good Turn although on checking this was not released until February 1955.

Anyway – if anyone reads this and was there at the time, or has photographs of this visit –  please do let us know.

BELOW – that same Gaumont Cinema in Gainsborough givng these youngsters an exciting Saturday morning no doubt.

I remember seeing the Trailer to this in the Cinema at the time, and what stood out for me was, again the fabulous Technicolor and I have even viewed the trailer again recently and I can see why – it just looked so good.

As I have remarked so often on this Blog, the Technicolor of that era has never been bettered – that time to me represented the pinnacle of Colour photography in films.

The Painted Hills 1951

The Painted Hills 1951

The Painted Hills 1951

Shep looks frightening

The plot of the film – an aging prospector living in the California hills during the gold rush days. Paul Kelly’s character has spent a long time in the hills eking out a meagre existence, following his gut instinct that there must be a rich vein of gold nearby.

While continuing to dig for treasure, he is joined by his faithful companion Shep. They are like two peas in a pod and go everywhere together. One place they visit at Christmas is the home of his godson (Gray) whose father recently died. Gray forms an attachment to the dog, and he joins Kelly and the animal in their digs.

Meanwhile, a lawyer has learned that Kelly found some small nuggets and may be close to striking more. The role of the lawyer is played by MGM contract player Bruce Cowling, who usually specialised in villainous characters. This is no exception. The lawyer is a crook and while befriending Kelly, the boy and the dog, he plans to take all the gold for himself.

Kelly suspects the lawyer plans to file a claim with an assayer behind his back. He also worries that the lawyer may do something dangerous, so he sends the boy away.

In the next sequence, the lawyer leads him to a hilltop where he insists he found the gold. But there is no gold there, just a confrontation between the two men. Shep watches as the lawyer pushes the old prospector off the cliff in a horrifying scene. The lawyer then decides to get rid of the dog, and he poisons Shep’s food. Shep survives because some concerned Indians find him dying along the road and nurse him back to health.

Gray learns the dog nearly died, and he returns to the cabin. He does not find his godfather, only the lawyer. Shep shows the boy where Kelly’s body was buried. The lawyer insists the old man died because of an accidental fall. The boy spends the night at the cabin, but this is not a safe environment. The lawyer still wants to get rid of Shep.

A pastor stops by the cabin the next day but doesn’t believe the boy’s story about a possible murder. Also, the boy is at the mercy of the lawyer, but is somehow spared. When the boy leaves with the pastor, to return to his mother, it is up to Shep to carry out justice. There is a climactic finale, where Shep is chased up the hill by our gun-toting villain who intends to blast him to smithereens. However, Shep is too smart and lures the big bad man to the edge of a snowy peak, so he will fall off the cliff the same way the old man did.

A good Technicolor Film