Eleanor Parker dies aged 91

Eleanor Parker, who has died aged 91, was an American screen and stage actress, best-remembered for her role as the Baroness Elsa Schraeder, co-star to Julie Andrews in the Oscar-winning 1965 film, The Sound of Music.

Clad in beaded gowns and ash-blonde wigs (she was naturally brunette), Eleanor Parker cut a mature, icily elegant figure next to Julie Andrews, who was then a newcomer. Charmian Carr, playing the eldest Von Trapp daughter, remembered her as “the bona fide movie star in the cast” .

Above – A Very famous scene from The Sound Of Music 1965

In a statement, Christopher Plummer said: ‘Eleanor Parker was and is one of the most beautiful ladies I have ever known.

‘Both as a person and as a beauty. I hardly believe the sad news for I was sure she was enchanted and would live forever.’

Parker’s death comes at a time when The Sound Of Music is back in the spotlight.

With her rich, husky voice and striking good looks, she had proven herself equally adept in both dramatic and lighter roles.  At the Venice Film Festival in 1950 she had won an international award for Caged, as a first-time offender who is brutally mistreated by the prison matron.

Her performance in Scaramouche (1952), as the strong-willed theatre player Lenore, had showed her at her most alluring and entertaining. Yet, though nominated for an Oscar three times, she never triumphed at the award ceremony. At Warner Brothers, however, her versatility won her great acclaim, and saw her publicised to cinema audiences as “The Woman of a Thousand Faces”.

Eleanor Jean Parker was born on June 26 1922 in Cedarville, Ohio, the youngest of three children. Her father, Lester Parker, was a mathematics teacher . She aspired to be an actress from a young age and eventually she headed in 1940 for the Pasadena Playhouse, where she caught the attention of a Warner Bros talent scout. She was signed on to the company just three days after her nineteenth birthday.

Her career though diod not get off to a flying start.  . Her scenes cut entirely from They Died With Their Boots On (1941) which starred Errol Flynn, and her next films (both 1942) were ignored.

Below:  She seems to be enjoying herself with Errol Flynn.

Gradually she was acquiring the reputation of a serious actress . In 1945,  director Edmund Goulding approached her for the role of Mildred, the conniving Cockney waitress of Somerset Maugham’s novel Of Human Bondage but the film was not a success.

Above – Never Say Goodbye 1946 a romantic comedy film about a divorcing couple and the daughter who works to bring them back together with Errol Flynn.

Her fortunes revived with the wartime comedy The Voice of the Turtle (1947), and by the 1950s her career had hit its first peak. Caged provided her with the kind of complex role that most appealed; at 27, she played a 19 year-old widowed during – and subsequently imprisoned for – an attempted robbery.  The part won her a Best Actress nomination at the Academy Awards.

In 1951 she left Warner Bros and had her next big commercial success with Scaramouche, a swashbuckling MGM adventure set in 18th-century France which gave Stewart Granger a very good role – and featured – as the climax to the film – one of the best sword fights ever put on screen.. Detective Story (1951) won her another Oscar nomination. Her third and last came three years later, for Interrupted Melody (1955). The film also starred Glenn Ford.  Based on a bestselling biography, the film told the story of the Australian soprano Marjorie Lawrence, who overcame poliomyelitis to take audiences by storm. Eleanor’s singing was dubbed by Eileen Farrell, a leading American soprano, who was deeply impressed by the actress’s commitment to the part. “In a lot of old Hollywood movies, the lip-synching was pretty sloppy,” she wrote in her memoirs, Can’t Help Singing. “Eleanor wanted hers to be completely convincing.”

From the early 1960s Eleanor Parker began to appear on television . Her performance in The Eleventh Hour (1963), a medical drama for NBC, received an Emmy nomination. From 1969-70 she was the principal star of Bracken’s World, but walked out after 16 episodes citing a “lack of creative satisfaction”.

She continued in regular big-screen appearances throughout this period, of which her best-known was The Sound of Music – though it was an unflattering role. “I was the so-called ‘heavy’,” she recalled, while emphasising that she was “very proud to have been in the film. If anyone asks me what I’ve done, I look to see how young they are and say: ‘There’s one film you will know…’”

At 42, however, the best of her career was behind her. Her last big-screen appearance, Sunburn, (1979), was a box-office failure. She continued to make infrequent television appearances up until 1991, but otherwise lived quietly in Palm Springs, California.

Eleanor Parker married, in 1943, Lieutenant Fred Losee, a Navy dentist. The marriage was dissolved the following year. She married, secondly, Bert Friedlob, with whom she had three children. Her third marriage, in 1954, was to the American portrait painter Paul Clemens; they divorced in 1965. In 1966 she married Raymond Hirsch, a Chicago theatre executive. He predeceased her in 2001.

Above – She christens The California Zephyr train in 1949

 

So the curtain comes down once more on one of the  Film Stars of the Fifties even though probably her best remembered film was made in 1965.  We have made reference to her before in The Naked Jungle with Charlton Heston – and a cast of millions of ants !!!  Maybe she will not be remembered as one of the screens greatest but she certainly has her place in film history.

I will print again the tribute from Christopher Plummer, which I found wonderful and very touching. He said of Eleanor Parker

‘Eleanor Parker was and is one of the most beautiful ladies I have ever known.

‘Both as a person and as a beauty. I hardly believe the sad news for I was sure she was enchanted and would live forever.’

 

 

 

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Marty Wilde – Jet Storm 1959

Marty Wilde in the very first year of his incredibly long career – he is still performing today – steps into this film Jet Storm as a young pop star (which he was – a trend in films of the day for example Cliff Richard in Serious Charge and Ricky Nelson in Rio Bravo not to mention Elvis in Love Me Tender.

A few years earlier we had the very good The High and the Mighty starring John Wayne and Robert Stack among a veritable Whos Who of top sceen actors. That film had a cast together of very well known actors but Jet Storm’s passengers must be considered a B list from the film acting fraternity at least in comparison.

The action of this film takes place on an airliner bound for New York and the passenger list reads like a who’s who of up and coming names – Diane Cilento, Virginia Maskell, Marty Wilde, future TV star Paul Eddington, established stars – Mai Zetterling, Elizabeth Sellers, Megs Jenkins, David Kossoff, Stanley Baker and would you believe –  Dame Sybil Thorndyke.

Richard Attenborough was one of the best young character actors in Britain when he emerged in the 40s. In 1948 he came to notice in 3 outstanding Rank films – “Brighton Rock” (playing a baby faced psychopath), “London Belongs to Me” (a bumbling murderer) and “The Guinea Pig” (a poor school boy who is given a scholarship to an exclusive boy’s school).
Among the passengers are the usual suspects, harassed parents, a jet setting pop star, a TV comedian (Harry Secombe), sensible elderly citizen, people with secrets etc. Among the latter is Ernest Tilley (Richard Attenborough) a rather worried looking man, travelling with his caring wife (Mai Zetterling). He is a man on a mission – he has followed a man on board who he believes is responsible for killing his little girl in a hit and run. He is bitter at the world and has had a vendetta against this man for two years. He has bought on board a device that he intends to use to blow up the plane but his ramblings are heard by two other passengers and they alert the Captain.
Stanley Baker  plays the caring level headed Captain, who tries to talk some common sense into Tilley, but to no avail. As the film progresses the passengers get to hear of it and the passengers seem to split into two groups – the potential have-a-go s and the hystericals. (Hermione Baddeley is great as a hysterical passenger). There is a revolt between these two factions, but the plan goes wrong and the man at the centre of the dispute (the hit and run driver) is sucked out of the plane window – in a scene a few years before the same fate befell Goldfinger.  As a last resort, a little boy is sent down to Tilley, to appeal to his deep down kindness of heart.

Marty Wilde.

Marty Wilde (born Reginald Leonard Smith, 15 April 1939) is an English singer and songwriter. He was among the first generation of British pop stars to emulate American rock and roll, and is the father of pop singers Ricky Wilde, Kim Wilde and Roxanne Wilde.

Marty Wilde was born in Blackheath, London. He was performing under the name Reg Patterson at London’s Condor Club in 1957, when he was spotted by impresario Larry Parnes. Parnes gave his protégées stage names like Billy Fury, Duffy Power and Dickie Pride, hence the change to Wilde. The ‘Marty’ came from the commended 1955 film, Marty.  He was signed to the British recording arm of Philips Records.

 

Between 1958 and 1962 Marty had thirteen consecutive hit records, including Endless Sleep (which reached number 4 in the charts), Donna (3), Teenager In Love (2), Sea of Love (3), the self-penned Bad Boy (7), Rubber Ball (9), Little Girl (16), Jezebel (19) and Tomorrow’s Clown (33) and, after a hugely successful appearance on the BBC’s ‘6-5 Special’ – which led to an avalanche of fan mail – Marty secured a residency on the cult ABC TV programme, ‘Oh Boy!’ before hosting the original ‘Boy Meets Girl’ Show.
Marty’s backing group had The Wildcats as his backing group.  In 1962 Marty took to the West End stage at Her Majesty’s Theatre starring to critical acclaim in the musical ‘Bye, Bye Birdie’, before a flirtation with the silver screen, taking lead roles in ‘Jetstorm’, The Hellions’ and ‘What A Crazy World’ (with Joe Brown). Much later, in 1974, Marty was to play the role of David Essex’s manager in ‘Stardust’, the hugely successful follow up to ‘That’ll Be The Day’.
Much later on Marty fomred The Wilde Three – with his wife, Joyce, and the future Moody Blues vocalist, Justin Hayward – and, almost uniquely for UK performers in those days, by further developing his songwriting talents (which had previously borne fruit with the top three single, ‘Bad Boy’). Marty penned hits for Status Quo (Ice In The Sun), Lulu (I’m A Tiger), The Casuals (Jesamine), Peter Shelly (Love Me Love My Dog) and for himself (Abergavenny), whilst No Trams To Lime Street, a breakthrough in TV musical plays, gave him a perfect opportunity to demonstrate his considerable versatility.
However, performing was never far from Marty’s thoughts  in fact he still performs as many shows as possible today.   He has topped the bill on five extensive ‘Solid Gold Rock’n’Roll’ tours and presents his own ‘Born To Rock’n’Roll’ show at theatres across the UK. To celebrate the 50th Year of a unique career, a retrospective CD, ‘Marty Wilde – The Greatest Hits, Born To Rock’n’Roll’, featuring duets with daughters Roxanne and Kim, was released by Universal Music in March 2007.

He moved partly into all-round entertainment, appearing in musicals such as in  the original West End production of Bye Bye Birdie and several films.

He and his wife Joyce have four children, Kim (born 1960), Ricky (born 1961), Roxanne (born 1979) and the youngest, Marty Jr. (born 1983), who was a contestant on The Golf Channel’s The Big Break IV: USA vs. Europe in 2005. Kim, Ricky and Roxanne have worked in the music industry, like their parents.

 

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‘Fast and Furious’ Star killed in Car Crash

Tragic accident: Representatives for actor Paul Walker have confirmed that the star died in a car accident this afternoon
 It has been confirmed that filmactor Paul Walker  has died in a car accident Saturday afternoon

 

Actor Paul Walker, best known for his role in  the Fast & Furious action movies, has died in a car crash after his friend  lost control of a Porsche GT which  smashed into a pole and a tree.

The high-powered super-car burst into flames  after it crashed in Santa Clarita, north of Los Angeles, at 3:30pm,  yesterday.

Walker, 40, who was in five of the six films  about illegal street racing and heists, had been at an event for his charity  Reach Out Worldwide before deciding to take the car out for a drive with his  friend.

The fundraiser, to benefit victims of Typhoon  Haiyan, was taking place in a race car shop near to the scene of the crash.

Guests rushed to put out the flames with fire  extinguishers but the fireball had already engulfed the car.

The star’s representatives and official  Facebook page confirmed his death.

The LA County Sheriff’s department said two  people died but is yet to release names.

However Ame Van Iden, Walker’s publicist,  said in an email: ‘Sadly, I must confirm that Paul did pass away this afternoon  in a car accident.’

The actor’s official Facebook page was also  updated with the message: ‘It is with a truly heavy heart that we must confirm  that Paul Walker passed away today in a tragic car accident while attending a  charity event for his organisation Reach Out Worldwide.

‘He was a passenger in a friend’s car, in  which both lost their lives.

‘We appreciate your patience as we too are  stunned and saddened beyond belief by this news.

‘Thank you for keeping his family and friends  in your prayers during this very difficult time. We will do our best to keep you  apprised on where to send condolences.

 

Universal Pictures also issued a statement, saying studio staff were “heartbroken” by Walker’s death.

“Paul was truly one of the most beloved and respected members of our studio family for 14 years, and this loss is devastating to us, to everyone involved with the Fast & Furious films, and to countless fans.

“We send our deepest and most sincere condolences to Paul’s family.”

Walker played undercover agent Brian O’Conner in the Fast & Furious movies.

The first film of the franchise was released in 2001 and the seventh is in development.

Paul Walker began acting as a young boy when his mother, a model, took him to auditions for commercials.

After drifting away from acting, he got his big break when a casting director remembered him from years before, tracked him down and gave him a role in the TV series Touched by an Angel.

Walker later won a recurring part in the soap The Young and the Restless before moving on to supporting roles in teen films in the late 1990s with Varsity Blues, She’s All That and The Skulls.

After the success of the first Fast & Furious film, Walker became the leading man for the second instalment when Vin Diesel dropped out.

Fast & Furious 6
The sixth instalment of the Fast & Furious franchise topped the US box office

Diesel later returned, however, and the six-film franchise has earned an estimated $2.4bn (£1.5bn) at global box offices. The series has not lost its appeal, with the latest instalment, the sixth, the most lucrative so far.

The seventh instalment began filming in September but has not been completed. It had been scheduled for release in July.

Walker has also filmed Hurricane Katrina drama Hours, which is due to be released on 13 December.

Another forthcoming film is Brick Mansions, a remake of the French action film District B13, for film studio Relativity.

Relativity President Tucker Tooley said in a statement: “Paul was an incredibly talented artist, devoted philanthropist and friend.”

Link to the FIFTIES FILMS  – Johnny Dark.

This is a racing car film of  1954 and really does not have much to relate it to the Fast and the Furious films but it is the only one from that era that I can think of.  The film is mainly about car racing with  a youngish Tony Curtis (in the lead as Johnny) and Piper Laurie (as Liz). Both are strong willed so romance isn’t easygoing at the start.

Johnny is the auto engineer who is determined to drive his new model race car to win the 2200-mile race from Canada to Mexico and Liz, when she realizes her love for him, supports him entirely.
Lots of action throughout from players and race cars. The speeding cars keep you on the edge of your seat – great film shots from the air and the road as they blaze along from stop to stop during the race.

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Jean Kent has died

Jean Kent star of the famous Gainsborough melodramas  dies

Jean Kent starred in the Edwardian romance Carnival
 Jean Kent starred in the Edwardian romance Carnival – above.

Film and television actress Jean Kent, one of Britain’s biggest stars in the 1940s and 1950s, has died.

She was injured in a fall at her home in Westhorpe, Suffolk, and died at the West Suffolk Hospital in Bury St Edmunds at 03:40 GMT.

Her death was announced by a close family friend, author and former film critic Michael Thornton.

Her last public appearance was in 2011 when she was honoured by the British Film Institute on her 90th birthday.

Mr Thornton said: “I knew Jean for more than 50 years. She was a feisty, funny, outspoken character who never took herself too seriously.

“She knew what it meant to be a star and regarded it as her job to live up to that position and never to disappoint the public.”

Jean Kent and Andrew Crawford in Trottie True
Above: Jean Kent and Andrew Crawford (right) were half submerged in a pond during preparations for a hot air balloon crash scene in ‘Trottie True’

Kent’s career included regular appearances in Gainsborough melodramas, which were popular with large numbers of newly-independent women following the outbreak of the Second World War.

She made 45 films and during her career starred alongside Marilyn Monroe, Michael Redgrave and Laurence Olivier.

‘Bodice-ripping melodramas’Born in Brixton, south London on 29 June, 1921, she was the only child of variety performers Norman Field and Nina Norre. As a 13-year-old she performed at the Windmill Theatre in London’s West End.

Jean Kent
Jean Kent also appeared in serious dramas like The Browning Version
Above – A wonderful scene from The Browning Version 1951 – one of my own favourite films.
Here Jean Kent as the cruel wife of Michael Redgrave looks disdainfully at the book given to her husband by one of his pupils – something that means a great deal to him.

 

She had met her husband Josef Ramart on the set of Caravan and they married four months later in 1946, with Stuart Granger as best man.

They bought a farm near Sudbury, Suffolk in the 1950s and stayed there for 20 years until they moved to Westhorpe. Her husband died in 1989.

Kent also had a television career, which started in the mid-1930s in a musical called The Ship In The Bay which was broadcast live.

Her post-war television appearances included roles in Up Pompeii!, Crossroads and Lovejoy.

Below – Link to a Television clip at the time of ber 90th Birthday :-

http://www.youtube.com/watch?v=KSqh31eDEuU&feature=player_detailpage

Mr Thornton added: “Because she became one of the most famous stars of the Gainsborough era, with its bodice-ripping melodramas, she was underrated as an actress. But she was a great actress.”

Speaking on her 90th birthday she told the BBC she was still available for work.

“Oh yes, I’d work like a shot, as long as I didn’t have to walk,” she said.

“A nice sitting-down part would be fine.”

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Diane Disney Miller (Walt’s Daughter) dies aged 79

Lovely photograph of Walt Disney at home with his two girls  – overlooking the Old Barn he had constructed in the grounds which he had  taken from his childhood home.

Walt Disney with his daughter Diane – above.

Diane Disney Miller, a Napa Valley winemaker and the reason why the Walt Disney Family Museum is located in San Francisco, died Tuesday.

Mrs. Miller succumbed to injuries suffered in a fall a few months ago in Napa, where she had a home. She was 79.

As the only surviving child of Walt and Lillian Disney, Mrs. Miller was the president of the Walt Disney Family Foundation and co-founder, with her son, Walter Elias Disney Miller, of the Walt Disney Family Museum. Last year more than 100,000 people visited the museum, which is on track to hit 150,000 in 2013.

She read her father’s original dedication fifty years later to the day at the birthday celebrations of Disneyland on July 17, 2005 and organised the development of The Walt Disney Family Museum in San Francisco. The museum opened in October, 2009.

Diane Disney Miller wrote the foreword to the book Walt Before Mickey by Timothy Susanin. The book covers the early years of Walt Disney’s career.

Animation historian Michael Barrier reports that Miller, in August 2007, sent a fax to a number of executives at the Walt Disney Company, denouncing Neal Gabler’s biography of Walt Disney published in 2006, titled Walt Disney: The Triumph of the American Imagination, as “a monstrous piece of libelous junk. My parents were not the people he creates in this book, and I cannot understand why all of you who aided and abetted Gabler in writing this book, and who praise it and promote it, can do so without suffering serious qualms.”

“She was totally devoted to the memory of her father. She obviously just worshiped him, and everything she did at the museum was to honour him, and to be sure that people knew the accurate story,” said Nancy Bechtle, who served with Mrs. Miller on the San Francisco Symphony board and recently helped her find a new director for the museum.

A resident of the Bay Area since the mid-1980s, Mrs. Miller was a benefactor to the Symphony and Napa’s “Music in the Vineyards”.

Diane Marie Disney was born Dec. 18, 1933, an event that caused the Los Angeles Times to proclaim “Mickey Mouse has a daughter.” She was educated at the University of Southern California, where she met Ron Miller, a member of the football team, on a blind date after a Cal-USC game.

They were married in Santa Barbara on May 9, 1954. Miller had a career in pro football before being recruited by his father-in-law. After their seven children had grown up, he left the firm, and they left Los Angeles for Napa, where they owned Silverado Vineyards.

She is survived by her husband; children Christopher Miller, Joanna Miller, Tamara Diane Miller, Jennifer Miller-Goff, Walter Elias Disney Miller, Ronald Miller and Patrick Miller and grandchildren.

Services will be private. A public celebration at the museum is pending. In lieu of flowers and gifts, donations may be made to the memorial fund that the Walt Disney Family Museum has created in honour of Diane Disney Miller.

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The Legend of Tom Dooley 1959

Now this is one I remember seeing years ago – probably at the local Pavilion Cinema – now no longer there alas !

The background to this film is that at the time there was a very popular song with the same title as the film, that did so well on both sides of the Altlantic. The American version which was a hit in the UK was performed by The Kingston Trio who were in the charts in England as well, although it was covered here and a hit for Lonnie Donegan.

Above – The Kingston Trio with the song that is heard throughout the film. Very good too. You can listen to the song again on this link :-  http://www.youtube.com/watch?v=VhXuO4Gz3Wo&feature=player_detailpage

Because of the hit song one assumes, a B movie was rushed out very quickly – and must have done well.   Michael Landon starred as Tom Dooley before his success on TV first with Bonanza.

The story begins when Tom Dooley (Michael Landon) and (Richard Rust) kill someone in the line of following their orders as soldiers not knowing that the Civil War is over.  They thought they were just doing their jobs, but are now now branded  murderers and try desperately to get away.

                                                                 

The main characters played by Landon and Rust were likeable types who the audience can sympathise with for the predicament they are in.
Part of the story is that Landon and Rust might get away, but Landon insists on going back to get his girl so she can come with them. This leads  to the film’s inevitable final outcome.


This film moves along at a good pace and stays interesting throughout the 79 minutes.  It has engaging characters caught in an impossible situation.

We can all think of a great many songs associated with films of an era – but this was a feature film rushed out to capitalise on a very popular song with a storyline. Very much of it’s time though.

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Perce Pearce – Walt Disney’s trusted producer

Walt Disney had huge faith in Perce Pearce both in his film making skills and his ability to get things done. He entrusted Perce to come to England and supervise his first all live action films at Denham Film Studios – Treasure Island and The Story of Robin Hood being the vital and first ones.

Above: Perce Pearce seated in overcoat with Set Designer Carmen Dillon and Second Unit Director Alex Bryce at Burnham Beeches for filming of Ther Story of Robin Hood (1952) for Walt Disney.
The British government, in an attempt to revive its own film industry after the war, had imposed a 75% import tax on American films shown in Britain and ordered that 45 % of the films shown in British cinemas be made in England.    Walt couldn’t set up an animation studio in England or France, but he had another option. He could make a live-action film in England and finance it with the blocked funds -and this he did with the first two made at Denham.
The project Walt selected for his live- action feature was Robert Louis Stevenson’s Treasure Island and he despatched Perce Pearce and Fred Leahy to England to supervise the production, but he remained unusually involved in the post production  at least compared to the offhanded way he had been treating recent films.
He had asked Pearce and Leahy to air-mail him specific takes for editing, and after a test screening in early January, he ordered them to cut ten to twelve minutes and provide a more forceful musical score; he also advised them that a more detailed criticism would follow. Two day later he ordered the editor to fly from England to Los Angeles, apparently so that Walt could oversee the editing himself.

Perce Pearce’s  career at this point took a major turn: he began working in live action, serving as Walt’s associate producer on Song of the South and So Dear to My Heart before moving to England to shepherd Disney’s first entirely live-action features (Treasure Island, The Story of Robin Hood and His Merrie Men, The Sword and the Rose, Rob Roy the Highland Rogue) onto the screen. In other words, Walt repeatedly chose Pearce to act as his surrogate.

Above: Walt Disney with his family on the set of Treasure Island during their visit here in 1949. Bobby Driscoll one of the stars of the film with them too. This shot is actually on one of the sets at Denham Film Studios.

There may have been a bit of typecasting when Walt sent Pearce to England—he was the son of English immigrants—but what was undoubtedly more important was Pearce’s adaptability, and his willingness to respond to the demands Walt made on him. Throughout the 1940s and ’50s, people who had joined the Disney staff to work on animated cartoons followed similar paths, moving into live action or, later, into television or designing attractions for Disneyland. Ben Sharpsteen was an animator, then a director of short cartoons and feature sequences, and ultimately the “supervising director”—that is, Walt’s man on the ground—of Fantasia, Dumbo, and other features. But then, as Walt’s interest turned toward the True-Life Adventures and the People and Places series, he took Sharpsteen away from animation and put him in charge of those live-action films. Likewise, the director James Algar moved from animation into directing the True-Lifes.

From all appearances, Perce Pearce adapted well to his life in England—in stories about him that I turned up during work on The Animated Man: A Life of Walt Disney, he sounds like a true English eccentric.  There’s no telling if such stress contributed to Pearce’s early death in 1956, but it couldn’t have helped.

The finished film, Walt Disney’s first all live-action feature, was a success- unbelievably the first in a long, long time. Treasure Island (1950) grossed $4 million, returning to the studio a profit of between $2.2 and $2.4 million. With the euphoria of this success was the worry that the animation side of the studio was dying. As Walt stated “We are not forsaking the cartoon field-it is purely a move of economy-again converting pounds into dollars “
In July 1951, just as his cartoon version of Alice in Wonderland was released in America, Walt Disney visited Europe with his wife Lillian and his daughters to supervise his second live-action movie. The Story of Robin Hood and his Merrie Men (1952) again financed  by the blocked monies of RKO and Disney. Before leaving, Walt had screened films at the studio, looking at prospective actors and directors and making what he himself called ‘merely suggestions’, while he left the final decisions to Perce Pearce, who was producing. For his part, Pearce had laid out every shot in the movie in thumbnail sketches, or storyboards, just as the studio had done with the animators, and sent them on along with photostats and the final script to Walt for his approval, which Walt freely gave, though not without a veiled threat that Pearce had better make the film as quickly as possible. “This is important not only to the organisation but to you as the producer,” he wrote.
The use of storyboards was new to ‘Robin Hood’ directorKen Annakin,  “but it appealed to my logical brain very, very much,” he said later, and prompted ingenious scenes such as the first meeting between Prince John and the Sheriff of Nottingham after King Richard has left, played on the balcony of the castle against a brilliant but ominous orange sky at sundown. “I had never experienced sketch artists, and sketching a whole picture out,” Annakin said. “That picture was sketched out, and approved by him—but it was designed in England, and sketches were sent back to America.” For all his influence and control, Walt was not an overbearing studio head in Annakin’s view. “Basically, he visited the set maybe half a dozen times, stayed probably two or three hours while we were shooting.”
Though Walt delegated a good deal of authority on these films, he nevertheless took his approval of the storyboards seriously. When he noticed that one sequence wasn’t shot exactly as agreed, he questioned Ken Annakin  as to why. Annakin replied that he was going over budget and wanted to economise. “Have I ever queried the budget?” Walt asked. “Have I ever asked you to cut? Let’s keep to what we agreed.”
Meanwhile as Robin Hood was being filmed, Walt, Lillian and his daughters wandered through Europe, visiting the Tivoli Gardens in Denmark, and did not return to the studio until August.
While making those live action movies in England (which also included Sword and the Rose (1953) and Rob Roy the Highland Rogue (1954)).
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White Feather 1955

This one was on TV very recently and was shown in wide screen Cinemascope format which I like to see, and in glorious Technicolor.

Jeffrey Hunter (Little Dog) portrays a fiery young Cheyenne  Indian brave in a story of a peace mission by the US Cavalry to the Cheyenne  Indians in Wyoming during the 1870’s. The peace treaty negotiation with the  Cheyenne (and other local Indian tribes) has the goal of relocating the tribes,  in order to open up the territory to gold prospectors.  The peace treaty is  threatened when a surveyor (Robert Wagner), there to map out the town that is  planned for the gold miners, falls in love with the chief’s daughter (Debra  Paget). Also starring John Lund, Virginia Leith, and Eduard Franz.

Above :-   JEFFREY HUNTER.

A great still from the film – above

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Fabulous Hammer Double Bill

Well this film programme would have been a ‘must’ for cinemagoers at the time I reckon.

A real Double Bill of Classic Hammer Horror Films.

Although I think the one below would be even better :-

                          

This time Dracula and The Mummy.

                   Above in The Mummy  – Peter Cushing prepares for action !!!

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What a Location this would be

As as long term film fan, I always seem to look out for locations that I feel would be great for use in a movie.

This is one of them – Scotney Castle at Lamberhurst,  Near Royal Tunbridge Wells, Kent TN3 8JN   in England.

We visited in June 2013.

 

If anyone is not familiar with this enchanting place,  then please go and have a look.    Wonderful place to visit

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