BRITISH ACTRESS YVONNE MITCHELL  was first and foremost a stage actress who began her career quite early as a teenager. By the time of her death in 1979 , she had performed in the theatre for over four decades. Her work in films and TV was much less, but what she did do was unusually of high quality.

This dark-haired actress made her film debut in a key role in The Queen of Spades (1949) and proceeded to become a moving, thoughtful, often anguished presence throughout the 1950s, winning the British Film Award for her touching  performance as the biological mother of a foster child in The Divided Heart (1954).

A year before that, she appeared with PETER CUSHING in the BBC production of ‘1984’ as Julia. The broadcast gained much publicity for both her and Peter Cushing,  in it’s two live performances and this was after she had played Cathy in a live Television version of Wuthering Heights with Richard Todd as Heathcliffe – a play I remember seeing as a child and very good it was. It was performed twice live during one week on the BBC

YVONNE MITCHELL, changed her name legally in 1946 from Yvonne Frances Joseph to Yvonne Mitchell (Mitchell was her mother’s maiden name). She also deducted a decade from her age, which is why many sources have listed 1925 as her birth year.

She married author and critic Derek Monsey in 1952.  They had a daughter Cordelia born in 1956.  The couple would later divorce, only to be reconciled.

In the mid to late fifties they lived in their Mayfair maisonette with their daughter and bulldog Burbage. They later lived in a village in the South of France.

Here she is ABOVE – Reading to her Daughter Cordelia and looking at her Art Collection

Their daughter  Cordelia Monsey is a theatre director and a long-term associate of both Sir Peter Hall and Sir Trevor Nunn.

Derek Monsey and Yvonne Mitchell had parted but re-married  in late 1978, just months before Derek Monsey died of a heart attack on 13 February 1979.  Yvonne Mitchell died of cancer just over a month later. That would have been a cruel blow for their Daughter who at that time would only be 22 years old – with her parents dying within a few short weeks of each other.

Derek Monsey – BELOW

Yvonne Mitchell ABOVE – Leaves for the USA to appeared in the Broadway Play ‘The Wall’ which opened on 11 October 1960 and ran through until 4 March of 1961

Above: YVONNE MITCHELL with Painter PIETRO ANNIGONI – the Italian portrait and fresco painter, best known for his portrait of Queen Elizabeth II

Yvonne Mitchell

Yvonne Mitchell ABOVE with Bernie Winters doing a Television play.

I am sure that many of us have a pet – and what a joy it is.  Many of the Stars of this era, and any other come to that, owned pets – some more extreme than others as you will see below

Johnny Sheffield with his dog Kurt who went to the Studios with  him when he as making the Bomba Film ‘Lord of the Jungle’

Jeanne Crain had quite a large family – and two dogs too it seems

Joan Rice with a little Peke – not sure that this was her dog – I do know though that later in life when she had left films and had an Estate Agency in Maidenhead that she owned – and loved – her Labrador Sheba.

Irene Papas ABOVE – intervenes between cat and dog as they play together.

Roy Rogers and Trigger – Trigger even went to work with Roy Rogers – and usually enjoyed star billing in his films – and travelled abroad  on promotional trips.

Now we go to the extreme as a pet owner – Tippi Hedren had a full grown male lion called Neil share her home.

Looking back she recalls this as an incredibly foolish thing to do

Such a large animal is capable of doing untold damage if things ever got out of hand

Melanie Griffith her Daughter swimming with the Lion

Melanie Griffith having fun

Her Daughter Melanie Griffiths had a very close relationship with Neil the Lion – it even shared her bed on occasions

What a good actor he was – and such a distinctive voice too.

Roger Livesey was apparently such a nice man who was liked by just about everyone and was very happily married to Ursula Jeans for 36 years (until her death)  – They had no children. There was no scandal in his life, so no publisher has been interested in a biography about him.

Another well know role was as Torquil in  I Know where I’m Going

Raymond Massey and Roger Livesey share a laugh at the Party given by Michael Powell and Emeric Pressburger at Denham Film Studios to mark the start of filming on    A Matter of Life and Death

Above: Michael Powell and Emeric Pressburger

This is from A Matter of Life and Death

ABOVE – With Wendy Hiller – I Know Where I’m Going

Probably some of his best film work was with Michael Powell and Emeric Pressburger’s Films

Roger Livesey  died 4 February 1976  after a 50‐year stage, film and television career. He was 69 years old.

Above: Roger Livesey on Desert Island Discs in 1952 – he chose the usual Eight Records – mainly classical – and his luxury to take to the Island was Golf Clubs.

His last major appearance was as the Duke of St. Bungay in the BBC television serial “The Pallisers.”

Friends said he never fully recovered from the loss three years previously of his wife, Ursula Jeans, with whom he formed an internationally known husband‐and‐wife acting team in the 1940’s and 50’s.

Roger Livesey had made many appearances on the Broadway stage. One of the most notable was in the Wycherly Restoration classic, “The Country Wife,” in 1937, in which he appeared with Ruth Gordon.

He was also in “The Entertainer,” based on the John Osborne play, in support of Laurence Olivier in the same year.

He was born in Barry, South Wales, on June 25, 1906, and was educated at the Westminster City School.

His first appearance on the stage was at the St. James’s Theatre on  Nov. 21, 1917, when he was 11. The role was that of the Office Boy in “Loyalty.”

One play followed another in the West End for almost 10 years, and then he toured the West Indies and South Africa for several years.

His roles included Dr. Stockman in “An Enemy of the people,” Petruchio in “Taming of the Shrew,” Kurt Müller in “Watch on the Rhine,” in which he toured for two years during World War II, and Sir Toby Belch in “Twelfth Night.”

On another occasion he enjoys a chat with Sir Laurence Olivier ABOVE – who seems to be adjusting Roger Livesey’s tie.

Roger Livesey’s wife was the Actress Ursula Jeans – she was born in India to British parents. She was a stage actress from her mid-teens.

Above: Roger Livesey and Ursula Jeans in the play “Watch on the Rhine,”

One of her later film appearances was as   in The Dam Busters (1955) playing Barnes Wallis wife and just before this was in The Night My Number Came Up – and straight after came North West Frontier.  She was frequently on television in Dr Finlays Casebook and Dixon of Dock Green and in such American productions as the 1963 video staging of Hedda Gabler with Ingrid Bergman in the title role.  She had been previously married to actor Robert Irvine

Remarkably 20th Century Fox Studios  even looked after the children of the Film Stars they employed – providing them with a school  at the Studios – as below :-

Below – Claude Jarman Jr. looks quite grown up – as he goes to School accompanied by his Father – and in the MGM Studio Complex.

Below: Doris Day kissing her boy Terry goodbye as he goes off to school.

Below: Hollywood City College

Below – an interesting ‘spoof’ item on the School’s subject

1950 Film Star Betty Hutton at school taking a mock English Exam and Clowning about –  in an imitation of what she might have been caught doing back in 1933 when she actually did take the exams.

A few weeks ago, we featured a similar item and here are more pictures from the Early to Mid Fifties showing that even those Stars of the Screen have to have some down time – and indeed they do know how to enjoy themselves

For instance Jeanne Crain BELOW just loves making home movies and is quite often seen with her quite sophisticated film camera – this one looks to have three turret lenses and is probably a 16 mm type but it looks good. Jeanne gives her own film nights at her home where her friends have great fun watching them. I would imagine she took this film camera along on location – wish we could get hold of those films if she did as there would be a really interesting look  ‘behind the scenes’ of the films from those days.

Rhonda Fleming below had just married Dr. Lew Morrill when this picture was taken They had tied the knot while she was on location filming Pony Express for Paramount Pictures

Hollywood Stars at Home – Above Rhonda Fleming and Below Doris Day

ABOVE – Doris Day is just busying herself around her home

ABOVE – Robert Cummings swimming with his Daughter Tio. She was one of five children he had with former actress Mary Elliot

A quiet cup of tea with his wife for James Stewart.

Barbara Bel Geddes – BELOW

Barbara Bel Geddes lived in what is described as ‘a modest, attractive house in West Hollywood’

BELOW – she is with her Daughter Susan

BELOW – Finishing writing her letters and then  choosing a Book

I remember her from the film I Remember Mama made in about 1948 – although for me it was seeing it on Television quite a few years later. She did not have a prolific career in films -and in truth didn’t make that many and when she did she was never top billed.

She is probably best remembered for the very successful Television Show Dallas much later

One of the advantages of having my Mother In Law over on a Sunday afternoon is that she prefers to watch good action packed older colour films – quite often Westerns so today we have seen Randolph Scott in Carson City from 1952 – and the very first film in Warnercolor – and very good colour it was too.

Andre de Toth directed Carson City – it looks pretty good, and it was successful. Eventually, he would direct six Randolph Scott films, with all four of the Warner Bros. ones being in WarnerColor.

By the way, Carson City is available on DVD through Warner Archive.

This  is a good story and a baddie in the shape of Daniel Massey who really fits the role.

Andre De Toth took over late in production after Michael Curtiz apparently did not want to deal with  the new Warnercolor process.

I have to say though – the colour looked good.

The lead girl in this film was Lucille  Norman who  had been a professional singer first and then transferred over to films in mostly second female leads except with this  one  where she played the  leading lady.

Soon after this she retired from films and later in life she became the companion and part-owner/saleswoman of “Charles Crenshaw Piano Store” in Burbank, California.

I also found this advertisement for Chesterfield Cigarettes – you wouldn’t find an advertisement like this nowadays

Well, here we are on 1st February 2019 – As last year, I set myself the task of one new post each day during January – which has been done I am happy to say.

This year it coincided with my Daughter and her family being with us throughout this period and this New Post – now in February – is a little different but features a Theatre visit a few days ago to the West End of London for this wonderful production.

I am cheating a little here – this was, of course not a film but is probably THE most famous Theatre Play ever. However it did commence it’s long run in November 1952 so in that regard it fits the time – and also may of Agatha Christie’s Novels have been made into films.

Last Tuesday – 15 January 2019 –  I went to see it again with my Daughter and Granddaughter who both loved it – at St. Martins Theatre in the West End of London.

Agatha Christie indeed came up with a humdinger of a story which kept us guessing until the very last minutes. Superb.

There is a sort of tenuous link to films though in that the very first lead actor in this production was Richard Attenborough in 1952 and his Wife Sheila Sim was in the cast also.

The story is known to the many thousands who have seen this Theatre Production but to anyone who hasn’t  it is not so well known – as we are all told to ‘keep the secret’ of who the killer is – so enough said as I will leave any readers to go and see the play.

You will not be disappointed.  It has done tours over the past few years all around the country.

Above – a Scene from the 2019 London Production.

The present cast – apparently there is an all new cast every year – were all on very good and able form.  When we were leaving one of the leading ladies – Emily Plumtree  appeared in the Theatre Foyer and she was kind enough to sign my Granddaughters Programme – see above –  and have a chat with us. She was very nice.

It is a wonderful production and the stage set  is sumptuous,  complete with large open fireplace with a lovely fire burning on a cold and snowy night  – in the Drawing Room of a small Hotel somewhere in the countryside Near Oxford.

In a few scenes it was necessary for the window in the house, at the back of the stage,  to be opened and when it was, we heard the wind howling outside – and even with the window closed – in the opening scenes the snow was clearly seen falling outside – perfectly done.

The Mousetrap was originally at the Ambassadors Theatre but moved just next door to St Martins Theatre in 1974.

A picture  on the front of Agatha Christie

I have also come across this Booklet – not yet sure of what it is all about but when I purchase it I will report back – looks interesting though.

Before we go in to see The Mousetrap – what a good idea to have a drink in the lovely Bar at St Martins Theatre –  ABOVE

A few years ago, I was talking on the phone to a good friend of mine David Small from Leicester England and I remember him saying that he thought that Marilyn Monroe and Errol Flynn were still the biggest Film Star names in the World.  He may well have been right.

Sadly David died last year.   However I have no hesitation in stating here and now, that David was The World’s Leading Expert on Errol Flynn – he knew everything about him, had collected an enormous amount of Memorabilia and had even written a book about his early life in England as an actor.

He had the original footage on the unfinished Errol Flynn ‘William Tell’ film which was to have been an epic Cinemascope film shot in Switzerland and directed by Jack Cardiff. He told me that the film that had been shot was very impressive indeed.

Here are two pictures -from a Film Annual of the time – and two lovely colour pictures they are too of these Two great stars :-

David knew every Errol Flynn Film and had probably seen every one of them many times over but his favourite of course was The Adventure of Robin Hood which had Errol in sparkling form in the title role. He fitted the part like a glove.

I remember saying to David in one conversation that I had seen The Prince and the Pauper – again with Errol Flynn – and I had thought in that one he looked different somehow – not so athletic and somehow more slender and slightly awkward – and David said that this one had been made only a year before Robin Hood – but he agreed with me that Errol seemed to be nothing like as mature or confident an actor as he was in Robin Hood. He did seem a different man.

I always preferred The Story of Robin Hood and His Merrie Men – made in England and released in 1952 with Richard Todd and Joan Rice. This was of course a Walt Disney film.

David agreed that it was a very good film but still had the Errol Flynn version as his best.

Anyway, we have above, pictures of TWO great Film Stars who lived in a golden era in film terms and who have attained iconic status.

I cannot think of any modern star who fits the same bill somehow but then, as someone once said to me when talking on another subject – ‘ these were different days’ !

I remember seeing this at the local Essoldo Cinema with a gigantic wide screen and to say that it was impressive is a great understatement. I knew one girl in the offices where I worked as a very young lad – the first job I ever had and a very happy one at that – this girl had been to see the film at least EIGHT times.  She loved it too.

Although Rogers and Hammerstein wrote many great musicals,  South Pacific must rank as one of the best “There is Nothing’ Like a Dame”, “Younger than Springtime”, “Bali Hai”, Gonna Wash that Man Right outa my Hair”, and  “Some Enchanted Evening” are major highlights,  but there are many other delightful and strong songs.

Nellie(Mitzi Gaynor)is an army nurse posted to the Pacific Rgeion during the War, who meets, befriends and falls in love with handsome plantation owner Emile de Becque (Rossano Brazzi).

The relationship between these two is really the heart and soul of the film and is one of those timeless will they or won’t they get together relationships.

Featuring beautiful use of colour photography and some truly gorgeous scenery and filled with memorable songs. This is a beautiful film and is without a doubt a must see.

Opening on Broadway only four years after the end of the War, South Pacific found a ready made audience.

The show is based on two short stories from an anthology of stories entitled Tales of the South Pacific by James Michener.

The success of South Pacific boosted Michener’s reputation as a novelist.

It is one of those films – and there are many – that need to be seen on the big screen. Television gives us the chance to view them but not in the  way that they should be viewed.

More scenes – Including this one above of Mitzi Gaynor while on location in the South Pacific for the film.

Don Taylor was a film actor who had or developed an interest in Film Direction – and so became a quite successful Film Director.   His second wife was the English ‘Hammer Films’ actress Hazel Court.

They had both appeared in Hammer Film Productions in England in the 50 s but actually met whilst filming a TV episode of an Alfred Hitchcock Presents series – an episode called ‘The Crocodile Case’ in 1958

When this picture below was taken Don Taylor was married to his first wife Phyllis Avery  and is with his  two daughters Avery and Ann. He had just finished with Men of Sherwood Forest which was released in November 1954. Filmed in England.

They were divorced in 1955 – not long after this family picture appeared in the Film Show Annual

Above: Men of Sherwood Forest 1954 – The first Hammer Film to be made in Colour

Hazel Court had been married to Dermot Walsh the Actor by whom she had a daughter but they were divorced in 1963.

She had a long career with Hammer Films and it seems she was their biggest female star.

Above – Enjoying a Canteen Lunch with Christopher Lee while filming The Curse of Frankenstein 1957

Before this though she had been in films such as Holiday Camp – a film I really like – and in this scene she is pulling away from Dennis Price – and a good thing she did because, if you know the film, he is not someone that it is healthy to be around.

Hazel Court and Dennis Price in Holiday Camp – above

She was born in Sutton Coldfield in Birmingham.  She studied acting at the London Academy of Dramatic Art, which led to a contract, aged 18, with the Rank Organisation. In her first film, Champagne Charlie (1944), an affectionate homage to the Victorian music hall, she had one line: “I never drank champagne before.”

Hazel Court took leading roles in her next two films: Dreaming (1945), opposite Flanagan and Allen, and Gaiety George (1946), another period musical.

Holiday Camp (1948) was  the film that brought the Huggett family to the screen, and she  played the  daughter of Jack Warner who finds romance in Whitby with Jimmy Hanley.

The following year, she married the Irish actor Dermot Walsh, and co-starred with him in three  second features.

After The Curse of Frankenstein, Court’s second role for Hammer was The Man Who Could Cheat Death (1959), also directed by Fisher. Anton Diffring played a sculptor who had found a way of stopping the ageing process so that he was around 70 years older than he looked.

From the late 1950s, Hazel Court was a frequent guest star on American television series including Dr Kildare, The Dick Powell Show and Alfred Hitchcock Presents, in one episode of which her disgruntled husband (Laurence Harvey) grinds her up for chicken feed.

She married  actor-director Don Taylor in 1964 (the year after her divorce from Dermot Walsh), and  settled in California permanently.

After  Don Taylor’s death in 1998, Hazel Court devoted most of her time to charitable activities, her hobbies of painting and sculpture and to her three children (two from her second marriage), who survive her.

Hazel Court did write her autobiography, Hazel Court – Horror Queen  published by Tomahawk Press.