Another film on Talking Pictures that I did not know but watching much of it, although the print was not brilliant, the storyline seemed quite absorbing.

Van Johnson and Vera Miles had come over from Hollywood to make this one – they had been here a few years before – to star together in ’23 Paces to Baker Street’ .

There was also a pretty strong cast of top British actors, Bernard Lee, Geoffrey Keen and Emlyn Williams to name but three – also Jean Kent.

In the film Van Johnson had been evacuated from Liverpool to the United States during the Second World War. His mother died young and he is working his way around the world before he settles down to a career in electronics. He doesn’t know what became of his father, so he makes enquiries. He discovers he has been in prison for sixteen years for strangling a young girl. He investigates and finds the official story quite sketchy, and it seems that the officials make it difficult for him to find out more about it.

The the subplot involves Vera Miles, with whom he has fallen in love.

Bernard Lee, later to be ‘M’ in the Bond films is good as Van Johnson’s father, brutalised by years in prison – although I find it hard to take him in this role after seeing the Bond films.

He played quite an uncouth, thuggish character here, which did not suit him – I remember him just before this in a film I like called ‘The Ship that died of Shame’ with Richard Attenborough and George Baker

Emlyn Williams plays a mysterious and creepy man brilliantly. He was a classic stage actor and made quite a few films. He was in Ivanhoe in 1952, and a few years after that The Deep Blue Sea ( a Terence Rattigan play made into a film ) and The Wreck of the Mary Deare

He also played the part of Mr Dick in a film adaptation of David Copperfield – I love the character of Mr Dick – as Aunt Betsy Trotwood says ‘Mr Dick puts us all right

This version had a real star-studded cast resembling a ‘whos who’ of classic British Theatre, film and Television

In this film a character played by Anthony Newlands plays a newspaperman who gets the investigation moving and somehow connects everything together eventually arriving at the truth

Vera Miles, I always like to see in films. She was no stranger to visiting England in the Fifties indeed she came here while Gordon Scott made a Tarzan film – Tarzan and the Lost Safari – mainly at Pinewood – and married him either before the film or shortly after it.

She had played in the previous Tarzan and the two of them became romantically involved during that time – they later married.

Gordon Scott and Vera Miles were married for almost four years. They dated for about a year after getting together in Aug 1954 and married on 14th Apr 1956. Sadly they divorced on 2nd Mar 1960.

American Actor Gordon Scott was born Gordon Merrill Werschkul on 3rd August, 1926 in Portland, Oregon, USA and passed away on 30th Apr 2007 Baltimore, Maryland, USA aged 80. He is most remembered for Tarzan.

Vera Miles was born Vera June Ralston on 23rd August, 1929 in Boise City, Oklahoma, her career from spans 1948–1995.

Her most famous role to me would be in the classic ‘The Searchers’

To sum up this a tense, emotional and very satisfying murder mystery drama, adapted from AJ Cronin’s novel, was only director Jack Cardiff’s second film.

He sustains the suspense throughout by creating an electric atmosphere of corruption in high places and you can sense that just about everyone has something to hide. For example, it transpires that the prosecutor at Mathry’s trial, Sir Matthew Sprott (Ralph Truman), had doubts about the strength of the evidence against him, but he nevertheless employed his considerable skills as a barrister to ensure he got convicted because he didn’t want the embarrassment of losing a case. It would have affected his career progression and, today, he is standing for parliament in a highly publicised by-election. When Paul pushes his way into his office asking a lot of awkward questions about his father, he puts pressure upon the police superintendent to have him confined to his ship until it sets sail for America again because he doesn’t want the scandal and potential mud slinging from political opponents to cost him his election.

The key witness at Mathry’s trial, Louise Birt, the murdered woman’s flat mate, has done very nicely since then owning her own nightclub and bar on New Brighton. Paul suspects that somebody paid her for her testimony and set her up in business as a reward for shielding the real killer.

All of these twists and turns are sufficient to hold an audience’s interest and the performances from the two American leads are quite good too. Van Johnson displays the anguish and passion as Paul Mathry who finds himself battling the city’s establishment to clear his dad’s name and Vera Miles is really effective as his girlfriend. The pair are falling in love with each other, but the relationship is put in jeopardy as a result of an incident in her past that has left her emotionally scarred.

Way back in 1956 we were treated to some excellent Telvision plays and serials – the BBC particularly excelled in the classic serial – and here we have one ‘David Copperfield’

This would be one of the first such serials and as can be seen and from the picture it would seem that the producers had gone to a great deal of trouble in getting the detail right and selecting a suitable location.

This scene is from David’s Wedding so quite late on in the story.

The BBC tended to use Studio sets and ‘live’ programmes which required much rehearsal but the advent of Independent TV saw them have a different approach as they mainly used film for their dramas and then broadcast them later – much as they do now although we are now in a digital world.

After the tremendous success of ‘Robin Hood’ with Richard Greene in the title role, ITV really wanted to capitalise on it’s impact – ‘The Buccaneers‘ was one such attempt but it did not really cut it.

Looking at the picture above – Don’t you think that the man on the right looks like Nick Cravat it isn’t him apparently – but the more I look the more I think it is him and maybe this picture is wrongly captioned

Also we had ‘Sir Lancelot’ with the later episodes of this being filmed in Colour so they work better when seen today – this series is currently showing on Talking Pictures

Of course there was The Adventure of Willam Tell’ and that was good and exciting but still didn’t live up to ‘Robin Hood’ – but the few such programmes did

Errol Flynn, with his own production company made a series of swashbuckling adventure – half hour tales and he would be well suited to this. Maybe his golden era had passed by but he still retained that charisma and stardust that few of the stars had – he had it in abundance.

ABOVE One of those famous stage productions at the Whitehall Theatre with Brian Rix – the BBC regularly brought one of these to the Television screen direct from the Theatre — this one was ‘Jane Steps Out’ with Ann Firbank (left) seemingly caught in an embarrassing situation by Brian Rix’s wife Elspet Gray – his wife in real life too.

He had the long running ‘Dry Rot’ there which ran successfully for years and I have a feeling that this also was shown on Television direct from the Theatre.

I have often wondered why this has not been done much since although in recent times there has been such productions on Television or in the Cinema, come to that. It does to me seem a good way of showing these plays to many of us living outside London – although I do , on occasions go down to see one of them – last time it was ‘The Mousetrap’ – hugely enjoyable.

Peter Cushing ABOVE with Billie Whitelaw in the Thriller ‘Gaslight’

Peter Cushing did a lot of Television drama in those days – just before he got fully into gear with Hammer Films. Billie Whitelaw was at the start of her career here – I liked her and she was around a lot at the time and later

This Production was the last of the BBC Sunday Night Dramas that Peter Cushing did – the most famous being 1984 but he was also in ‘The Creature’ just before this which he later did again on film as ‘The Abominable Snowman.

The same year as Gaslight was ‘The Revenge of Frankenstein’ and Peter Cushing after which he was then in the big league – and it effectively defined his career from that day on.

Here in a scene from the BBC Drama ‘His Excellency’ from 1957, we see a young Shirley Eaton on the Left with Glen Alyn and Donald Pickering.

Donald Pickering went on the play Dr Watson in quite a number of episodes of Sherlock Holmes in 19790 – 1980 and this had Geoffrey Whitehead as Holmes. This gets good reviews although I can’t remember it at all. It was a joint Polish / British production filmed in Poland

Glen Alyn pictured above was an Australian actress who had been quite famous in the Thirties. She had married in 1947 but her husband died in 1948 – sounds a very sad story. He was Stanley Joseph Grove – but I have come across papers that indicate his name had been Stanley Joseph Grove Spiro but in 1944 he registered to drop the ‘Spiro’

Glen Alyn’s appearance in ‘His Excellency’ marked her very last appearance on film or television. She returned to Australia and die there in Sydney in 1984

What a Double Feature this would be – almost stretching the word preposterous to it’s limits I reckon

Return of the Fly

As any horror film addict knows, the fly’s head on a human body came about when a scientist perfected the process of transferring matter through space from one place to another and then carelessly got his own molecules mixed up with a fly’s whilst in transit.

In the earlier film ‘The Fly’ the scientist came to a grizzly end but here his son just can’t wait to get going with the whole experiment all over again with the stern disapproval of his Uncle played by Vincent Price.

The old Lab where his father had worked is cleaned up and the machines start whirring again.

Trouble is, as we might have expected the old problem happens again – this time engineered by his crooked assistant.

The rampaging fly is not a pretty sight

Vincent Price is back in action here having starred in the original ‘The Fly’ – and back in similar vein

Then on the same bill, we get The Alligator People

In the film Beverly Garland plays a newlywed wife named Joyce who despairs when her husband (Richard Crane) leaves the train they’re honeymooning on to make an urgent phone call, and then is never heard from again. Desperate, she tries without success to locate him until she eventually gets a lead that he could be at a secluded house somewhere in the swamplands of the Louisiana bayou area

Once there she is made aware of unusual experiments gone awry which involved her husband, and faces the horror that he is gradually turning into a reptilian creature. His mother (Frieda Inescort ) tries to discourage Joyce in her search and at first does not make her welcome.

Beverley Garland ABOVE arrives in Louisiana

Beverley Garland is quite believable and sincere in her part, and this is a nice-looking black and white film shot in the Cinemascope process, showing off some good shots in the land of alligators and snakes.

Also in the cast is none other than Lon Chaney, playing one of the uncouth local Cajun men who sports a hook in place of his left hand, having been a victim himself of an alligator attack.

In his usual drunken state, he carries on a vendetta against all alligators because of his injuries – referring to those “dirty, stinking gators”

He fires his gun at them, and tries to run them down with his jeep when they cross the road.

The scaly makeup for Richard Crane in its early stages is pretty effective, but when he emerges in full alligator-headed form later on, it is less impressive. However we have to remember that this is a ’50s monster film, after all, and many creatures of this era have been bizarre.

Once you get past the initial shock of seeing the Alligator Man, the result actually comes out pretty well.

Also heading the cast in this film is Bruce Bennett who had previously been known as Herman Brix – he played Tarzan in at least one film under that name. When War came he felt that a change of name was required.

I seem to recall he also played in ‘The Treasure of the Sierra Madre’ in 1948 and he went on to continue a very busy and successful career for a good many years.

ABOVE and BELOW Richard Crane

Beverley Garland BELOW narrating this strange story.

I remember her being in one of the Bomba films with Johnny Sheffield titles ‘Killer Leopard’ in 1954

Beverley Garland ABOVE narrating this strange story.

Frankie Vaughan went to Hollywood in the late Fifties after he had made a couple of films in England, the first of which was ‘These Dangerous Years’ where he got rave reviews and that was followed up by ‘The Heart of a Man’ which I remember seeing during our St Albans holidays at the time.

He had earlier appeared in Arthur Askey’s comedy Ramsbottom Rides Again (1956) and a musical, The Lady Is A Square, with Anna Neagle.

I had not realised but he was booked to appear in Cabaret at the Dunes in Las Vegas in 1959 where he was to do 28 shows instead of which, he went down so well that the contract was extended to 56 nights

From there he flew to New York to guest star on The Perry Como Show then way back to Los Angeles for the Dinah Shore Christmas Show.

20th Century Fox talent scout Bert Gordon flew in from Hollywood to Las Vegas to watch him in cabaret – and came back raving. The first result of this was that Marilyn Monroe wanted Frankie to star in ‘The Misfits’ written by her then husband Arthur Miller

In the picture ABOVE he appears to be having some coaching on Westerns from a gun slinging expert. He looks the part here.

Well as we look back, we all know that he did not get a part in The Misfits but he did succeed in starring along with Marilyn Monroe in ‘Lets Make Love’ with Yves Montand a year or so later.

Marilyn looks so lovely in the picture BELOW

In 1960, Vaughan went to Hollywood to make the film ‘Let’s Make Love’ with Marilyn Monroe. Marilyn, it is said, tried to entice him into an affair, but he maintained that he loved his wife, Stella, whom he had met at the Locarno ballroom, Leeds, after the war, and that they needed to live in London. He must be one of very few men that had or would turn down Marilyn

Back home and a bit later, he filled the Talk of the Town theatre restaurant for weeks, and became a sort of statesman among British performers. He returned to the venue for years afterwards. In 1965, he was awarded an OBE, and in 1997 a CBE.

In 1985, Vaughan had one of his most notable successes – starring in what turned out to be his swansong role, the lead in the musical 42nd Street at Drury Lane. He left the cast after a year at the start of what turned out to be a terminal series of illnesses. He was always sure of his epitaph. “I am lucky to have a talent, lucky to have met such a wonderful girl as my wife Stella, lucky to have such a wonderful family, and lucky to have a job I adore.”

This one in my view, is one of the best of the Carry On series of films – all the usual actors playing true to form and pretty well at their best.

“Carry on Nurse” is only the second film to be made and it still captures the naive charm of late 50s humour while exploring the more risque ground of the double-entendre.

The usual gang of misfits are present: Kenneth Connor, Kenneth Williams, Charles Hawtrey, Hattie Jacques (playing Matron!) and Joan Sims in her first “Carry On…” appearance.

The hospital setting works really well in this film and indeed later entries in the series which sees the same actors often set within Hospitals or other institutions

Hattie Jacques – brilliant as Matron – a role that she seemed to fit perfectly

ABOVE – Shirley Eaton looking lovely chatting with Joan Hickson – I saw Joan Hickson last weekend in one of her wonderful Miss Marple portrayals. She had been years playing these minor roles in British films until her great ‘break’ came later in life – the BBC Miss Marple films that seems to be shown again and again – and I can watch them whenever they come on. My Daughter in Australia rang me to say that they had been watching ‘Nemesis’ probably my favourite – and she had forgotten just how good it was.

ABOVE – A bespectacled Kenneth Williams – none too happy in his Hospital surroundings.

Charles Hawtrey has donned his headphones and is conducting the orchestra to the music he is hearing.

Shirley Eaton again, ABOVE – this time with Terence Longden who, a couple of films later, was in the classic Ben Hur and whilst he wasn’t the leading man he was pretty high up the cast list. He was in a lot of Television throughout his long career.

Well, this is a rather different article – not so much a film but a Radio Drama with a full BBC Cast headed by William Franklyn as Sexton Blake.

During the ‘lock down’ that we have all been dealing with, I walked around our village and as the church was closed, we went into the Church porch where villagers had left items of interest to exchange. Quite a few books and jig-saw puzzles which seemed very popular but also some DVDs and among them was this jewel – a CD of Sexton Blake titled ‘The Vampire Moon’ and other stories which starred William Franklyn as the famous detective.

After ‘The Vampire Moon’ episode we had ‘The Fifth Dimension’ ‘First Class Ticket to Nowhere’ and ‘Murder on the Portsmouth Road’ – all of them quite good – with my own favourite being ‘First Class Ticket to Nowhere’ . This was the story of a drug ring which used dis-used Railway Stations as bases for their distribution. Needless to say Sexton Blake got to grips with it.

Sexton Blake had his assistant Tinker played by David Gregory and Heather Chasen as his Secretary.

Apparently these were ‘lost’ BBC Radio episodes that had been rediscovered and put out on CD in the ‘BBC Radio Full-Cast Dramatisation’ format which they have done with so many plays – and I am a huge fan of them and have a lot to listen to – mainly while driving in the car

The ones featured here are just others to add to the collection – and welcome ones at that

William Franklyn had a long acting career in films and television – and it seems on Radio too – perhaps he is best known for voicing the “Schhh… You Know Who” advertisements on TV for Schweppes from 1965 to 1973 – at the time he was doing Sexton Blake

Heather Chasen had an even longer career in Films and TV from 1914 until 2014. Actually she died in May this year 2020

David Gregory was born in London in 1935 and has had a career in films and TV also – although he seems to have packed it in a few years ago – maybe he has retired.

In the first episode ‘The Vampire Moon’ we had the appearance of Marjorie Westbury a very well known Radio Drama actress who for 20 or 30 years played Paul Temples wife Steve on Radio.

Again on Radio she appeared in ‘Waters of the Moon’ a famous play – and one I like