We certainly loved to see these in the fifties

Clint Walker was certainly very popular in England when tghe series ‘Cheyenne’ appeared on Television. There were 108 hour long episodes from 196 to 1963 so Clint had some successful and continuous work on this one but at the same time he was making films – and quite a few of them including ‘Yellowstone Kelly’ ‘ Golf of the Seven Saints’ and ‘Fort Dobbs’ in which he starred alongside Virginia Mayo

Clint Walker was well liked by audiences both TV and Cinema

ABOVE – Jack Mahoney as ‘The Range Rider’ which came a few years earlier. It was shown on the BBC channel in England – at that time this was the ONLY TV channel – and as young boys we just loved the show.

This was a Republic film made in wide screen / their wide screen process called Naturama.

However this heading is leading me into a different subject and I will explain. The whole of March 2023 I have been on holiday in the Adelaide Hills in South Australia and during this time we ventured up into the Barossa Valley – a famous wine growing area – and went to the town of Kapunda.

One of the attractions of many, was the Museum which had been used a few years ago as a cinema – and the remains are there clear to see and on the bill board was still a poster for ‘The Maverick Queen‘.

I always get mixed up with TWO films both starring Barbara Stanwyck – ‘The Maverick Queen’ and ‘Cattle Queen of Montana’ – the reason us that they were made within a couple of years of each other,

When Barbara Stanwyck’s era of Hollywood stardom came to an end in the early fifties, she then became the star of a number of TV Western series, which cast her as a tough leader of an outlaw gang.

The Maverick Queen has a bigger budget (and was shot in colour) but and wide screen

Again an Australian film – this time starring Chips Rafferty

King of the Coral Sea deserves a ten score because the love and passion by all concerned in the making of this little gem shows through on the screen.

Thew film was made on a budget of around 25,000 Pounds Sterling which is a meagre budget by any standards even in those days.

Chips Rafferty produced this film, and put nearly all of his own money into it – it came good though and recouped it’s costs within 3 months and went on to make a sizeable profit.

Much of the filming was done at Green Island – just off Cairns in Queensland, Australia

King of The Coral Sea may not have the flashy Hollywood production values of a huge budget, but it does have a charm that has only increased as the years have gone by.

This film was also the screen debut of old Rod Taylor, ironically playing an American, an accent he had done often for Radio Dramas. He very soon after this had a part in ‘Long John Silver’ and from that film he was noticed by Hollywood Producers and so – off he went.

Charles Tingwell was also offered a Hollywood contract but he turned it down in favour of going to England where he forged a successful career, returning to Australia for good in the 1970’s.

K

Kangaroo (1952)

Kangaroo  was the first big-budget US production in Australia, but was not a great success.

An Australian Style Western film by Twentieth Century-Fox brought American stars Maureen O’Hara and Peter Lawford along with other well-known actors from the US and Britain to play Aussie characters in the bush again.

The film had an American director and writer, but predictably included Chips Rafferty as the local policeman, a young Charles ‘Bud’ Tingwell as a poverty-stricken stockman, Aboriginal actor Henry Murdoch in another of his many appearances as a stockman. The story was a complex one of two city conmen out to swindle Maureen O’Hara’s dad out of his cattle station. The film ticks the boxes for Australian wildlife and exotic people, but was not liked by critics for its clumsy script. It failed at the box office in both countries.

Filmink magazine said that “This film isn’t as bad as its reputation (Richard Boone is excellent as Lawford’s friend and there’s some great visuals), it’s just frustrating because it should have been better – it’s flabby and goes all over the place, Lawford is a wet fish of a leading man, and it needs more action… It would have been more entertaining if it had embraced being a Western more.

Maureen O’Hara claimed that Richard Boone and Peter Lawford were “rude and disrespectful to many Australians and to the press as a whole and the Australians came to dislike them both with a passion.” 

Maureen O’Hara wrote that 20th Century Fox told her to make a personal plea to the press not to report the arrests of Richard Boone and Peter Lawford in a gay brothel with underage boys. 

It was the first Technicolor movie filmed on-location in Australia. 

Tyrone Power was originally intended for the lead role of John W. Gamble which in the end was cast with another American actor, Richard Boone. Other names had been talked about – Richard Widmark and Errol Flynn and Jean Simmons in the Maureen O Hara role

Hollywood star Maureen O’Hara had to contend with swarms of flies and being “clawed something awful by a cuddly koala” during the shooting of the film Kangaroo around Port Augusta.

South Australian premier Tom Playford gave a housing estate at Port Augusta to be used by the cast and crew of 1952 American 20^th Century Fox film Kangaroo. Dubbed “Zanuckville” (after producer Darryl Zanuck), the estate housed up to 150 people to shoot the first Technicolor film in Australia, directed by Lewis Milestone.

Playford also turned on a gala reception for the film’s star Maureen O’Hara (with Peter Lawford, Finlay Currie, Richard Boone, Chips Rafferty and Charles “Bud” Tingwell) when she arrived in Adelaide from Sydney in late 1950.

The film was made using Fox funds “frozen” by the Australian government under postwar restrictions. Although Kangaroo wasn’t a critical or box office success, about £446,000 was spent in South Australia on the production.

Milestone moved the setting to Port Augusta because the original New South Wales locations looked no different from Southern Arizona and California. Milestone also extended his 61-day shoot to seven months.

Problems piled on from there. Temperatures were very high in Port Augusta but rain kept occurring. The script was constantly rewritten (action changed from the 1800s to 1900) and the isolated “Zanuckville” had trouble sourcing materials, with equipment and costumes needed from Hollywood. Scenes were shot at Wolundunga Station, at the foot of Mount Brown, at pubs and places in and around Port Augusta and on a coastal ship at Moonta.

Rain wrecked Lewis Milestone’s wish to suggest drought for his key scene of an attack by water-starved kangaroos. Among other mishaps, a sound technician was paralysed after being bitten by a spider and Lawford lost 12 pounds during the shoot and his hair started to fall out. An Aboriginal group from Ooldea (also used in the Bitter Springs film) staged a special dance at Spear Creek near Port Augusta. When drought arrived, cast and crew attended a “native rain dance” and the next morning it rained, enabling the film downpour climax.

In her 2004 autobiography, O’Hara claimed Boone and Peter Lawford were “rude and disrespectful… and the Australians came to dislike them both with a passion”. She said they were arrested in a “brothel full of beautiful boys” in Melbourne but she said the studio prevented this being reported by having O’Hara make a plea to the press.

O’Hara recalled “Australians were so excited to have us there and were one of the most gracious people I have ever encountered on location” but she “cried many nights” during the shoot. “Lawford and Boone were horrible to me even though I had saved both their hides … I still had to fight off a swarm of flies for every mouthful of food. I was even clawed something awful by a cuddly little koala bear during a scheduled photo shoot.”

ABOVE – The main three actors Richard Boone, Maureen O Hara and Peter Lawford

A Newspaper Advertisement of the time ABOVE

It strikes me that a few tears before this another film ;Diamond City’ was made and this one was another ‘Western Style film but this time, set in South Arica. This film too was a flop at the Box Office

Then shortly after this came ‘Long John Silver’ with Robert Newton filmed in Cinemascope but this was made just North of Sydney – this one was quite successful

A Western Directed by George Sherman

In the last days of the Civil War, Confederate officer Joel McCrea and associates rob a Union storehouse of $2,000,000. They head down to a small patch of Mexican territory controlled by renegade general Pedro Armendariz and start negotiating to turn the money into arms for the Confederacy.

This seems to have been film shot in three-strip Technicolor – and thats about as any colour film gets.

Director George Sherman, an expert in Westerns, directs the script well as you would expect

Another solid performance by Joel Mccrea. Yvonne de Carlo also adds strength to this feature.

The film portrays a turbulent time in American history

This doesn’t appear to be a well-remembered film from the era but lets hope that a forthcoming release of this on BluRay will help it become better known

ABOVE – maybe a welcome break from filming – and a chance to cool down in a fairly unorthodox way – but very effective I would think

Another big budget Tarzan film from MGM following the success of the first Johnny Weissmuller film ‘ Tarzan the Ape Man’

This Elmo Lincoln the very first screen Tarzan visits the set and joins Johnny and Benita Hulme = she was married to Ronald Colman

It is well know that Peter Sellers was a car addict – over the years he owned so many

ABOVE – The first owner of this lovely Rolls Royce saloon was the renowned playwright Sir Terence Rattigan, at that time resident at 29 Eaton Square, London SW1. In February 1967 it passed into the ownership of actor Peter Sellers, who had it re-sprayed silver. The original logbook records the third private owner, from April 1971, as Benedict James Colman, another resident, like Rattigan and Sellers, of London SW1 – so it appears this vehicle never went very far.

I recall a story that Peter Seller’s son Michael told many years later – he was then a small child, of say, 6 years old and overheard his father saying that he needed the front bumper re-painting for some reason. It was probably the Rolls Royce pictured above. Michael later decided to give his Dad a nice surprise, so he found a pot of paint in the shed and a paintbrush and, in his own way, he painted the whole of one front wing. Needless to say, when Dad arrived home and saw the surprise we can say, as an understatement, that he was not well pleased

BELOW – Liz Taylor with a classic Rolls Royce

1959 Cadillac Eldorado Biarritz Convertible Jane Mansfield – BELOW

Before Jayne Mansfield signed a six-year agreement with Twentieth Century Fox, she worked various small gigs, including selling books door-to-door, as a restaurant photographer, model, dance teacher, and selling candy at a movie theatre.

In 1956 she starred in “The Girl Can’t Help It,” which interestingly enough earned more at the box office than 1953’s “Gentlemen Prefer Blondes.”

Jane Mansfield had quite a short film career, however she did win a Golden Globe award for her appearance in the adaptation of John Steinbeck’s novel, “The Wayward Bus.

A thriller from 1964 that has quite a lot of very familiar faces in the cast including Bernard Lee and Margaret Tyzack – just before she found BBC TV fame – and International fame – in ‘The Forsyte Saga’

Then running down the cast we have David Kossoff, Thorley Walters, Patrick Barr, Justine Lord who I recall from ‘Act of Murder’ one of the very best of the Edgar Wallace series – Philip Latham and further down the list Paul Eddington, Garry Marsh ( from the George Formby films), and Geoffrey Palmer

It is British spy thriller; A story about a British navy clerk assigned to a top secret research facility. He is blackmailed into stealing vital secrets for the Russians in exchange for cash. Set during the height of the Cold War, it is based on the true events of the Portland Spy Ring, where daily duels play out between Soviet Intelligence and British counter-espionage. Tension builds wthin the espionage activities which is quite absorbing.

Bernard Lee gives a solid performance in a rare leading role His ally, played by Margaret Tyzack, is initially innocent, but seems drawn into things as the story progresses.

I have to say, that the above ‘Front of House Stills’ for this film were a pretty poor selection – when trying to sell a film you would have thought that this is one area that must be concentrated on – but in the case of this film, it just seems that there was little interest or zest put into the selection.

Coming back to Margaret Tyzack who I liked – she played in the Miss Marple Episode of ‘Nemesis’ opposite Joan Hickson as Miss Marple – and they played out one wonderful and intense scene which saw them both, in my opinion at the very top of their game. Brilliant. I think this is my own favourite Miss Marple adaptation.

This Technicolor Western is due for release on Blu Ray soon

Directed by Rudolph Maté
Starring Tyrone Power, Piper Laurie, Julie Adams, John McIntire, Paul Cavanagh, John Baer, Ron Randell, Ralph Dumke

Rudolph Maté’s The Mississippi Gambler (1953) to be released on Blu Ray Blu — and that’s good news

We could ask the question “Why is this called a Western?” Well, does it really matter !!

THE MISSISSIPPI GAMBLER is a 1953 period adventure drama. Set in the pre-Civil War days, the action takes place in and around New Orleans, and on the riverboats that paddled the regional waters.

Tyrone Power seems perfectly cast in the title role, and seems to win the admiration or envy, love or loathing of all he meets, including Piper Laurie, Paul Cavanaugh, and a batch of Universal players including —William Reynolds, Dennis Weaver, Guy Williams, Ron Randell among them.

Rudolph Mate directed with some pace with duels, brawls and a voodoo dance from Gwen Verdon .

The film is in glorious Technicolor and benefits from above-average costume design and set decor.

A running time of 99 minutes, with Julie Adams, John McIntire, John Baer, King Donovan and Anita Ekberg . A Successful production (took in over $6,600,000) and was Oscar nominated for its Sound Quality

We are now going back to the very early fifties – At that time a visit to the Cinema was a big event and when the Cinema came to your village What a thrill that would be. I can confirm that because in the Village where I live in the mid 50;s we had a ‘once a week’ professional film show with a full programme including Newsreel, Advertisements, Supporting Picture and the ‘big’ film.

However I have come across this article that centres on two brothers who, after the War, purchased equipment and set up a travelling cinema – this is the one at Little Shelford Nr Cambridge.

ABOVE – Russell Oddy is setting up the ‘film stills’ board outside of the entrance. This evening the ‘big’ picture will be ‘Mrs Miniver’ plus supporting programme

Russell hen went inside to set up the projection room and make sure that all was ok there/

The projection room was made in such a way as to eliminate the projector noise from the main hall

Russell Oddy was born in 1916 and at the age of 11 he had his own hand-cranked projector and held little shows in his father’s woodshed

ABOVE Russel’s brother Douglas was busy at the other end of the hall setting up the screen and the curtains that he made to open and shut professionally when the film programme was about to start

Outside a large crowd gathered – the Hall is next to the local Pub ‘The Chequers’ and the Pub Landlord Mr Beebe is very supportive of the venture – in fact his wife had attended and enjoyed the first house showing

ABOVE – Tickets Please !!

The audience were all given a brochure / programme on the film

ABOVE: Ice Cream is served just before the main feature

ABOVE – The queue for the ‘second house’ in the cold and rain – the rain later turned to snow

ABOVE – The second house audience is seated and ready. Just a view also at the back of the Hall of the small box like projection room which was soundproofed. Also a Poster for ‘Mrs Miniver’ on the side wall of the Hall

Much of the material above was taken from a magazine article dated March 1950 – so the pictures would have been taken just before then – maybe January or February 1950 – or even March 1950

A footnote about Russell an d Douglas Oddy

Russell had been in the forces during the War in the RAF on flying duties uin the Middle East. Later after being grounded, he worked in the Entertainments branch and after a while he was put in charge of setting up and running an open air cinema in the desert. This gave Russell the insight and interest in 16 mm films and after the War, with a budget of savings of £ 50 he and his brother Douglas who had been a Prisoner of War and had also some savings teamed up to set up the type of operation there now was at Little Shelford, Nr Cambridge.

Their first venture was at Bourn, Cambridgeshire where the programme was ‘Rainbow on the River’ and ‘Beau Chumps‘

After that the films steadily were more ‘up to date’ and they operated at least at a couple of locations including Little Shelford

I find this a fascinating and inspiring story